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Shotgun Microphone Pole

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I and a few friends made short film and the last aspect we must cover is audio. I want to get the audio equipment is made for the movie as (shotgun microphone, boom pole, etc.), but they wish to receive a portable capacitor microphone to save money, saying: We do not need crystal clear sound, because this is a low budget film. they are doing, that there is a big difference in quality sound if you use a portable condenser microphone instead of a shotgun mic? As in a handheld microphone would raise more unwanted (Ambient) sound from a microphone and a gun accessories as may windscreen to buy replacement microphone in one hand improvised shotgun microphone? Last place, If so, what a cheap handheld condenser mic would you suggest?

Here are some things to consider. A shotgun microphone is preferably in the movie-making because opportunity to be mobile and the frame. So a handheld condenser meets requirements for one of the benefits in mobility. As for the pick up pattern You can buy a condenser (reduction the concept of hand held), there will be similar model as a gun. But can you get while maintaining sufficient gain microphone the frame? This depends on the record sections road and drive. Using good preamplifier will allow for necessary profit. The trick will be to the microphone EQ natural sound for such a capacitor would have no profit at low frequency. In EQ would be the best in after the fall or in production. Ability microphones to ensure sufficient natural sound is to work with great care. One must to consider the scope of the project, and importantly is a system that will reproduce program. If the playback will be a typical computer or television sound, I question the effectiveness cost at the expense of high quality the rifle. Have a look at these guys. http://www.sennheiserusa.com/private_microphones_wired_evo600_009895 http://www.audio-technica.com/cms/wired_mics/5ba440a1ecab4982/index.html